Photography has always been a surprise to me: I wait until the image reveals itself to my eye without imagining neither creating it before.
I work on my availability to capture the unexpected, the instant when the light enters silently through the window and touches a surface in an unfamiliar way, when the colour of a door, at a particular time of the day escapes from the banality of what is around, when forms, lines and colours draw an harmonic composition beyond human noise.
I do accept to know nothing about the world to let the invisible appear, suddenly arise.
I like taking pictures of the silence of certain places, of ordinary people and their extraordinary lives.
It is only recently, during the Covid-19 crisis, that I began to imagine stories, to create sets with things I had at hand and to invent some uncertain plots that I fixed through the home light on a precarious support of time and space.